Resonancias

Aims & Scope

Resonancias focuses mainly on the publication of original research articles that constitute a contribution to knowledge in the field of music studies, which is understood in a broad sense, ranging from musicology and ethnomusicology to other disciplines that inform and intersect them, including but not limited to history, sociology, anthropology, psychology, cognitive sciences, education, cultural studies and other areas of scientific and technological research.

The journal, although open to submissions about any and all geographic areas, is particularly interested in research on Ibero-America (Latin America and the Iberian Peninsula).

In addition, Resonancias features album and book reviews, as well as a documents section for other types of texts, such as essays, interviews and transcriptions of relevant sources.

Metrics & Ranking

Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar
• Directory of Open Access Journals (DOAJ)
• Web of Science

Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities, designed to support cutting-edge academic discovery.

Licensing & Copyright

This journal operates under an Open Access model. Articles are freely accessible to the public immediately upon publication. The content is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), allowing users to share and adapt the work with proper attribution.

Copyright remains with the author(s), and no permission is required for non-commercial use, provided the original source is cited.

Policy Links

This section provides access to essential policy documents, guidelines, and resources related to the journal’s publication and submission processes.

• Aims scope
• Homepage
• Oa statement
• Author instructions
• License terms
• Review url
• Board url
• Copyright url
• Plagiarism url
• Apc url
• License

Plagiarism Policy

This journal follows a plagiarism policy. All submitted manuscripts are screened using reliable plagiarism detection software to ensure originality and academic integrity. Authors are responsible for proper citation and acknowledgment of all sources, and any form of plagiarism, including self-plagiarism, will not be tolerated.

For more details, please refer to our official: Plagiarism Policy.

APC Details

The journal’s Article Processing Charge (APC) policies support open access publishing in Arts and Humanities, ensuring accessibility and quality in research dissemination.

This journal does not charge a mandatory Article Processing Charge (APC). However, optional open access publication may incur fees based on the publisher’s policies.

Explore journals without APCs for alternative publishing options.

Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• La Nueva Canción Chilena: un ejemplo de circulación musical internacional (1968-1973)

  Citation: 6

  Authors: Javier

• Música en la Catedral de Lima en tiempos del arzobispo Mogrovejo (1581-1606):Gutierre Fernández Hidalgo, la Consueta de 1593, la participación indígena

  Citation: 4

  Authors: María

• Auto-exotismos, la musicología latinoamericana y el problema de la relevancia historiográfica (con un apéndice sobre música sacra y el siglo XIX)

  Citation: 1

  Authors: José Manuel

• Doble articulación y ciencias cognitivas de tercera generación: desafiando las nociones tradicionales en torno a la experiencia musical acusmática

  Citation: 1

  Authors: Federico, Claudio

• El mito del origen indígena-jesuítico del cateretê en la historiografía brasileña

  Citation: 1

  Authors: Juliana

• Periodización historiográfica y dogmas estéticos: un ejercicio sobre villancicos coloniales

  Citation: 1

  Authors: Leonardo J.

• Lo inaudible en el estudio histórico de la música popular. Texto de reflexión crítica

  Citation: 0

  Authors: Natalia

• Efectos del conflicto Iglesia-Estado en la capilla musical de la Catedral Metropolitana de Santiago: destitución, sustitución y reforma (1846-1882)

  Citation: 0

  Authors: Valeska

• Dossier: Música, historia e historiografía

  Citation: 0

  Authors: Victor

• Entangled Rhythms on a Conflicted Island: Digging up the Buried Histories of Dominican Folk Music

  Citation: 0

  Authors: Sydney