Per Musi

Aims & Scope

Per Musi is a free-access publication from the Graduate Program of the UFMG School of Music, and has established itself as a democratic space for intellectual reflections in the music area, and where diversity and debate are welcomed.

Per Musi, a peer-reviewed Brazilian music journal, is indexed by relevant databases and receives submissions and publishes original research papers continuously throughout the year.

The mission of Per Musi (Scholarly Music Journal) is to publish academic articles, preferably in English but also in Portuguese and Spanish, that make significant contributions to the several sub-areas of music, including their interactions among themselves and with other areas of study.

Per Musi periodically publishes an annual generic flow-continuous number (General Topics).

However, with proposals, invitations or ephemerides, and in exceptional circumstances, thematic issues may be opened with invited editors.

The main subareas of music are covered by the journal: analysis, musicology, performance, composition, music education, music therapy, computer music etc., and their interdisciplinary interfaces, linked to the research areas from the Music Doctoral Program of the Federal University of Minas Gerais, in Brazil.

Metrics & Ranking

Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar
• Directory of Open Access Journals (DOAJ)

Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities, designed to support cutting-edge academic discovery.

Licensing & Copyright

This journal operates under an Open Access model. Articles are freely accessible to the public immediately upon publication. The content is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), allowing users to share and adapt the work with proper attribution.

Copyright remains with the author(s), and no permission is required for non-commercial use, provided the original source is cited.

Policy Links

This section provides access to essential policy documents, guidelines, and resources related to the journal’s publication and submission processes.

• Aims scope
• Homepage
• Oa statement
• Author instructions
• License terms
• Review url
• Board url
• Copyright url
• Plagiarism url
• Apc url
• License

Plagiarism Policy

This journal follows a plagiarism policy. All submitted manuscripts are screened using reliable plagiarism detection software to ensure originality and academic integrity. Authors are responsible for proper citation and acknowledgment of all sources, and any form of plagiarism, including self-plagiarism, will not be tolerated.

For more details, please refer to our official: Plagiarism Policy.

APC Details

The journal’s Article Processing Charge (APC) policies support open access publishing in Arts and Humanities, ensuring accessibility and quality in research dissemination.

This journal does not charge a mandatory Article Processing Charge (APC). However, optional open access publication may incur fees based on the publisher’s policies.

Explore journals without APCs for alternative publishing options.

Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• A Musicoterapia e o Transtorno do Espectro do Autismo: uma abordagem informada pelas neurociências para a prática clínica

  Citation: 16

  Authors: Renato Tocantins, Cybelle Maria Veiga, Cristiano Mauro Assis

• A música por uma óptica neurocientífica

  Citation: 11

  Authors: Viviane Cristina da, Paulo Sérgio

• Perseguindo fios da meada: pensamentos sobre hibridismo, musicalidade e tópicas

  Citation: 9

  Authors: Acácio

• O formante do cantor e os ajustes laríngeos utilizados para realizá-lo: uma revisão descritiva

  Citation: 7

  Authors: Cristina de Souza, Paulo Henrique, Maria Emília Oliveira

• Artista-atleta | Artist-athlete | Artista-deportista

  Citation: 7

  Authors: Edson, João

• Expressividade na opinião de cantores líricos

  Citation: 5

  Authors: Enio Lopes, Léslie Piccolotto, Natália Fonseca, Marta Assumpção de Andrada e

• Análise do contexto da Roda de Choro com base no conceito de ordem musical de John Blacking

  Citation: 5

  Authors: Ivaldo Gadelha de, Gabriela Tunes da, Ricardo Dourado

• Postura corporal, voz e autoimagem em cantores líricos

  Citation: 5

  Authors: Ênio Lopes, Luiz Ricardo Basso, Marta Assumpção de Andrada e

• Estudos de validade e confiabilidade da Escala de Avaliação dos Efeitos da Musicoterapia em Grupo na Dependência Química (MTDQ)

  Citation: 5

  Authors: Frederico, Frederio, Cristiano Mauro Assis, Cybelle Maria

• Hermeto Pascoal: experiência de vida e a formação de sua linguagem harmônica

  Citation: 5

  Authors: Fausto, Fabiano