Moving Image Review and Art Journal

Aims & Scope

Moving Image Review & Art Journal (MIRAJ) is the first international peer-reviewed scholarly publication devoted to artists' film and video, and its contexts.

It offers a forum for debates surrounding all forms of artists' moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations and other screen-based works made by artists.

MIRAJ aims to consolidate artists' moving image as a distinct area of study that bridges a number of disciplines, not limited to, but including art, film and media.

View Aims & Scope

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Metrics & Ranking

SJR (SCImago Journal Rank)

Year	Value
2024	0.101

Quartile

Year	Value
2024	Q4

h-index

Year	Value
2024	2

Journal Rank

Year	Value
2024	30199

Journal Citation Indicator

Year	Value
2024	2

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Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar

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Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities and Computer Science, designed to support cutting-edge academic discovery.

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Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• Moving pictures: Intersections between art, film and feminism in the 1970s

  Citation: 10

  Authors: Amy

• A collective response: Feminism, film, performance and Greenham Common

  Citation: 9

  Authors: Lucy

• The automaton in all of us: GIFs, cinemagraphs and the films of Martin Arnold

  Citation: 6

  Authors: David

• What’s wrong with cinema in the gallery?

  Citation: 4

  Authors: Nicky

• Au revoir, Chantal

  Citation: 2

  Authors: Michael

• Afterword: Some reflections on the engagement of feminism with film from the 1970s to the present day

  Citation: 2

  Authors: Laura

• Experimental cinema’s elusive illusion

  Citation: 2

  Authors: Jonathan

• The aesthetics and politics of obsolescence: Hand-made film in the era of the digital

  Citation: 2

  Authors: Martine, Kim

• Walid Ra’ad and The Atlas Group: The photograph and the archive in experimental documentary

  Citation: 2

  Authors: Tess

• The meta-physics of data: Philosophical science in Semiconductor’s animated videos

  Citation: 2

  Authors: Lilly

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