Grafica

Aims & Scope

grafica aims at becoming an instrument of scientific communication about Graphic Design and aims at rising t he visibility of scientists work in the field of Graphic Design.

For this reason, we establish as a reference to follow the criteria established by CENAI (19), ANECA (20) and LATINDEX (33) for journals, as well as IN-RECS and from the lists of quality scientific journals (Web of Science...).

The mission is to generate a set of materials that, in scientific papers form, allow the design work get closer to the empirical field and farther away from the practices based on individual experiences and often poorly reproducible by others.

Therefore, we aim at building a space, a metaphorical space, a graphic space about scientific evidence to enable progress towards intellectual and professional graphic design.

We consider graphic design as an activity that is very present at society and is therefore an activity that quietly produces a strong influence on it.

In this regard, we design products as a way of communication between people, between organizations and people, and that is why we consider graphic design as an integrated system of signs of intentional communication that requires special attention.

Especially, considering that design is, while a carrier of communication strategies, who interacts with receptors.

In this sense, the study of this mediated communication by the graphic elements is, in our opinion, absolutely necessary.

And it is, especially for those academics and researchers specialised in issues close to graphic design.

To them, grafica gives facilities for the diffusion of their scientific pieces of work.

To all, grafica must provide new graphical knowledge and experience.

Metrics & Ranking

Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar
• Directory of Open Access Journals (DOAJ)
• Web of Science

Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities, Computer Science and Social Sciences, designed to support cutting-edge academic discovery.

Licensing & Copyright

This journal operates under an Open Access model. Articles are freely accessible to the public immediately upon publication. The content is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), allowing users to share and adapt the work with proper attribution.

Copyright remains with the author(s), and no permission is required for non-commercial use, provided the original source is cited.

Policy Links

This section provides access to essential policy documents, guidelines, and resources related to the journal’s publication and submission processes.

• Aims scope
• Homepage
• Oa statement
• Author instructions
• License terms
• Review url
• Board url
• Copyright url
• Apc url

APC Details

The journal’s Article Processing Charge (APC) policies support open access publishing in Arts and Humanities, Computer Science and Social Sciences, ensuring accessibility and quality in research dissemination.

This journal does not charge a mandatory Article Processing Charge (APC). However, optional open access publication may incur fees based on the publisher’s policies.

Explore journals without APCs for alternative publishing options.

Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• El papel de la tipografía en la percepción de una marca

  Citation: 7

  Authors: Beatriz

• Influencia del neuromarketing en la percepción de carteles publicitarios

  Citation: 6

  Authors: Joan-Francesc, Óscar, Eduard, Oriol

• La gestión de la identidad visual corporativa de las universidades españolas | La gestió de la identitat visual corporativa de les universitats espanyoles | The management of visual identity in Spanish universities

  Citation: 4

  Authors: Blas José

• El director de arte: revisión de la definición en la literatura científica y propuestas de los expertos | El director d'art: revisió de la definició en la literatura científica i propostes dels experts | The art director: revision of the definition in the scientific literature and proposals of the experts.

  Citation: 3

  Authors: Blanca

• Acerca del diseño metodológico

  Citation: 3

  Authors: Daniel

• Infographics, a better medium than plain text for increasing knowledge.

  Citation: 3

  Authors: Antoni, Francesc

• Neologismos y el sentido del diseño gráfico | Neologismes i el sentit del disseny gràfic | Neologisms and the meaning of graphic design

  Citation: 3

  Authors: Daniel

• Iconographic-symbolic analysis model of Corporate Visual Identity (CVI): Application test on pharmaceutical companies in Spain

  Citation: 3

  Authors: Luis M., Bárbara, Patricia

• Análisis de la comunicación visual del cartel cinematográfico. Estudio de caso de la productora Universal Pictures. | Anàlisi de la comunicació visual del cartell cinematogràfic. Estudi de cas de la productora Universal Pictures | Analysis of the visual communication of the cinematographic poster. Case study of the producer Universal Pictures

  Citation: 3

  Authors: Irene

• Diseño como proceso iterativo

  Citation: 3

  Authors: Daniel