Genre

Aims & Scope

Genre: Forms of Discourse and Culture is a triannual publication devoted to the study of the codes, conventions, and histories of generic forms in the context of their cultural manifestations and effects.

It publishes articles that deal with questions of genre in both literary and nonliterary forms, that bring a broad range of disciplinary and interdisciplinary approaches to genre, or that consider theoretical, institutional, or political dimensions of discourse.

Metrics & Ranking

Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar

Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities, designed to support cutting-edge academic discovery.

Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• Line of Escape: Gilles Deleuze's Encounter with George Jackson

  Citation: 37

  Authors: Michelle

• Introduction: Old and New Weird

  Citation: 31

  Authors: Benjamin, Timothy S.

• Are Memoirs Autobiography? A Consideration of Genre and Public Identity

  Citation: 27

  Authors: Julie

• The Dangers of Distant Reading: Reassessing Moretti's Approach to Literary Genres

  Citation: 21

  Authors: Maurizio

• The Other's Language: Jacques Derrida Interviews Ornette Coleman, 23 June 1997

  Citation: 21

  Authors: Timothy S.

• From Slavery to Prison: Benjamin Rush, Harriet Jacobs, and the Ideology of Reformative Incarceration

  Citation: 20

  Authors: Douglas

• A Filipino Woman in America: The Life and Work of Encarnacion Alzona

  Citation: 19

  Authors: Catherine Ceniza

• The Pretty Woman Goes Global: Or, Learning to Love ``Americanization'' in <i>Notting Hill</i>

  Citation: 13

  Authors: Phillip E.

• “Never the Same One Twice”: Melodrama and Repetition in<i>Queer as Folk</i>

  Citation: 12

  Authors: Margaret E.

• <b>The Workerist Matrix: Introduction to Mario Tronti's</b> <i>Workers and Capital</i> <b>and Massimo Cacciari's “Confrontation with Heidegger”</b>

  Citation: 12

  Authors: Timothy S.