Eighteenth-Century Music

Aims & Scope

Eighteenth-Century Music is a well-established journal dedicated to all areas of eighteenth-century music research.

Its generous breadth of coverage includes, alongside articles and essays by both leading and emerging scholars, a wide range of reviews and a communications section that reports on conferences and other items of interest from around the world

View Aims & Scope

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Metrics & Ranking

Impact Factor

Year	Value
2025	0.4
2024	0.10

Journal Rank

Year	Value
2024	30539

Journal Citation Indicator

Year	Value
2024	4

SJR (SCImago Journal Rank)

Year	Value
2024	0.100

Quartile

Year	Value
2024	Q4

h-index

Year	Value
2024	12

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Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar
• Web of Science

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Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities, designed to support cutting-edge academic discovery.

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Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• MOZART’S OPERATIC AUDITION. THE MILAN CONCERT, 12 MARCH 1770: A REAPPRAISAL AND REVISION

  Citation: 41

  Authors: ANTHONY

• ON THE RELATION OF MUSICAL <i>TOPOI</i> TO FORMAL FUNCTION

  Citation: 32

  Authors: WILLIAM E.

• TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA

  Citation: 17

  Authors: VASILI

• THE EIGHTEENTH CENTURY AS A MUSIC-HISTORICAL PERIOD?

  Citation: 13

  Authors: JAMES

• E. T. A. HOFFMANN AND THE ETHEREAL TECHNOLOGIES OF ‘NATURE MUSIC’

  Citation: 12

  Authors: EMILY I.

• HEROIC HAYDN, THE OCCASIONAL WORK AND ‘MODERN’ POLITICAL MUSIC

  Citation: 12

  Authors: NICHOLAS

• SCHUBERT AS SCHILLER’S SENTIMENTAL POET

  Citation: 11

  Authors: SU YIN

• HERMENEUTICS AND THE NEW <i>FORMENLEHRE</i>: AN INTERPRETATION OF HAYDN'S ‘OXFORD’ SYMPHONY, FIRST MOVEMENT

  Citation: 9

  Authors: MATTHEW

• PARTIMENTO FUGUE IN EIGHTEENTH-CENTURY GERMANY: A BRIDGE BETWEEN THOROUGHBASS LESSONS AND FUGAL COMPOSITION

  Citation: 8

  Authors: BRUNO

• ‘THE TRUE FUNDAMENTALS OF COMPOSITION’: HAYDN'S PARTIMENTO COUNTERPOINT

  Citation: 8

  Authors: FELIX

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