Bulletin of Spanish Visual Studies

Aims & Scope

Bulletin of Spanish Visual Studies is a learned review dedicated to research on the visual histories, cultures and civilizations of Spain, Portugal and Latin America.

Scheduled to appear twice-yearly from April 2017, it is a sibling journal of Bulletin of Spanish Studies , also known as the Bulletin of Hispanic Studies (1949–2001), which was founded at Liverpool in 1923 by the influential British Hispanist E.

Allison Peers, and is now recognised internationally as a front-ranked journal in Hispanic research and scholarship.

Bulletin of Spanish Visual Studies publishes articles, review-articles and reviews on almost any and all authors, artists, works, topics, genres and periods concerned with the visual cultures of both the Old and the New Worlds of Hispanic cultures and civilizations.

View Aims & Scope

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Metrics & Ranking

Journal Rank

Year	Value
2024	29912

Journal Citation Indicator

Year	Value
2024	4

SJR (SCImago Journal Rank)

Year	Value
2024	0.101

Quartile

Year	Value
2024	Q4

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Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar

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Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities and Social Sciences, designed to support cutting-edge academic discovery.

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Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• The Armadillo: Spain Creates a Curious Horse to Belittle America

  Citation: 5

  Authors: John

• Stories of Migration and Solitude: A Portrayal of Spanish Society before and after the Economic Crisis in the Work of Icíar Bollaín

  Citation: 3

  Authors: María

• Three Queens for the Same Throne: Politics, Sex and Disorder in TVE’s <i>Isabel</i>

  Citation: 2

  Authors: Janice R.

• Las comedias de Mariano Ozores, Andrés Pajares y Fernando Esteso: cartografía cinematográfica de un país en transición

  Citation: 2

  Authors: Ernesto, Miguel A.

• Mujeres, melodrama, homosexualidad y autoría en el cine de Juan de Orduña

  Citation: 2

  Authors: Santiago Lomas

• Melodrama y reelaboración del pasado: la memoria de la dictadura militar en el cine argentino coproducido con España

  Citation: 2

  Authors: Bernhard

• La obra fílmica de Lucrecia Martel, Paz Encina y Tatiana Huezo a la luz del actual cine poético latinoamericano: una superación del Tercer Cine

  Citation: 2

  Authors: Júlia González

• Death of a Subaltern: Melodrama, Class and Victimhood in <i>Muerte de un ciclista</i> (Juan Antonio Bardem, 1955) and <i>La mujer sin cabeza</i> (Lucrecia Martel, 2008)

  Citation: 2

  Authors: Daniel

• El paraíso perdido: nostalgias coloniales en el archivo audiovisual de Guinea Ecuatorial (2000–2020)

  Citation: 2

  Authors: Sara Santamaría

• Bailarinas fascinantes: género y estereotipos de ‘lo español’ en el cine primitivo (1894–1910)

  Citation: 1

  Authors: Cristina

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