Atalante

Aims & Scope

The journal is a vehicle of expression for both professionals and theorists in the discipline and it covers, in addition to cinema praxis, a diverse range of topics within the contemporary audiovisual field.

Its intended readership is made up of people whose work, research or interest is related to film studies.

At least 80% of the papers published are original articles.

In the interests of promoting research carried out in other institutions and countries, 60% of the papers are by external authors not associated with the publisher.

Metrics & Ranking

Abstracting & Indexing

Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.

• Scopus
• Google Scholar
• Directory of Open Access Journals (DOAJ)
• Web of Science

Subjects & Keywords

Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities and Social Sciences, designed to support cutting-edge academic discovery.

Licensing & Copyright

This journal operates under an Open Access model. Articles are freely accessible to the public immediately upon publication. The content is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), allowing users to share and adapt the work with proper attribution.

Copyright remains with the author(s), and no permission is required for non-commercial use, provided the original source is cited.

Policy Links

This section provides access to essential policy documents, guidelines, and resources related to the journal’s publication and submission processes.

• Aims scope
• Homepage
• Oa statement
• Author instructions
• License terms
• Review url
• Board url
• Apc url

APC Details

The journal’s Article Processing Charge (APC) policies support open access publishing in Arts and Humanities and Social Sciences, ensuring accessibility and quality in research dissemination.

This journal does not charge a mandatory Article Processing Charge (APC). However, optional open access publication may incur fees based on the publisher’s policies.

Explore journals without APCs for alternative publishing options.

Most Cited Articles

The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.

• Memoria(s) del trazo. La representación del exilio en la animación documental: 'Josep' (Aurel, 2020)

  Citation: 1

  Authors: Roberto

• Espacio fílmico, denuncia social y memoria urbana: imágenes de Vallecas en el cine quinqui madrileño (1977-1981)

  Citation: 1

  Authors: Víctor

• Subjetividades femeninas desde la distancia. Un examen comparado de tres films de las décadas de los ochenta y noventa de cineastas latinoamericanas

  Citation: 0

  Authors: Violeta

• El cuerpo femenino como instrumento de placer visual y sumisión patriarcal en los documentales de los Ministerios de Agricultura español, italiano y francés

  Citation: 0

  Authors: Ana, M.ª Paz

• Modelos de representación del paisaje rural en el documental televisivo Questa Nostra Italia (1968)

  Citation: 0

  Authors: Deborah, Linda

• Políticas de la mística y el barroco mexicano en el cine del exilio republicano: 'Cantar de los cantares' (Manuel Altolaguirre, 1959)

  Citation: 0

  Authors: Mari Paz

• Madrid, una ciudad en la sombra. Cine y anonimato

  Citation: 0

  Authors: Luis, Elios, Gema

• Nuevas tierras para don Ramón y el Plan Badajoz: el éxodo hacia la tierra prometida

  Citation: 0

  Authors: Pedro

• La casa como exilio: entrevista con Laura Alcoba y Valeria Selinger

  Citation: 0

  Authors: Matei, Andrea

• El espacio narrativo en 'Adiós, cigüeña, adiós': Dicotomía axiológica, verosimilitud y expresión actoral

  Citation: 0

  Authors: Gema