Anuario Musical
Published by CSIC Consejo Superior de Investigaciones Cientificas
ISSN : 0211-3538 eISSN : 1988-4125
Abbreviation : Anu. Music.
Aims & Scope
Anuario Musical was founded in 1946 by Higinio Anglés, director of the (then so called) “Instituto Español de MusicologÃaâ€.
It is among the oldest periodicals devoted to Musicology in Spain.
The Journal covers all areas of musicological research: History, studies on musical sources, and Ethnomusicology, as well as different aspects about musical performance, organology, etc.
Anuario Musical only accepts previously unpublished, original papers.
Spanish is the main language, but also accepts originals in Basque, Catalan, English, French, Galician, German, Italian and Portuguese languages.
The Journal is open to musicologists and scholars specialized in the many disciplines related to music.
It is published yearly.
Anuario Musical is organized into Sections as follows: History of Music and Musicology, Ethnomusicology, and Studies on musical sources (very often related to the RISM project).
Occasionally, the Editorial Board could add sections devoted to Bibliographic Reviews, Chronicles of significant events, and News or Reports.
View Aims & ScopeMetrics & Ranking
Impact Factor
Year | Value |
---|---|
2025 | 0.1 |
2024 | 0.20 |
SJR (SCImago Journal Rank)
Year | Value |
---|---|
2024 | 0.101 |
Quartile
Year | Value |
---|---|
2024 | Q4 |
Journal Rank
Year | Value |
---|---|
2024 | 29856 |
Journal Citation Indicator
Year | Value |
---|---|
2024 | 4 |
Impact Factor Trend
Abstracting & Indexing
Journal is indexed in leading academic databases, ensuring global visibility and accessibility of our peer-reviewed research.
Subjects & Keywords
Journal’s research areas, covering key disciplines and specialized sub-topics in Arts and Humanities, designed to support cutting-edge academic discovery.
Licensing & Copyright
This journal operates under an Open Access model. Articles are freely accessible to the public immediately upon publication. The content is licensed under a Creative Commons Attribution 4.0 International License (CC BY 4.0), allowing users to share and adapt the work with proper attribution.
Copyright remains with the author(s), and no permission is required for non-commercial use, provided the original source is cited.
Policy Links
This section provides access to essential policy documents, guidelines, and resources related to the journal’s publication and submission processes.
- Aims scope
- Homepage
- Oa statement
- Author instructions
- License terms
- Review url
- Board url
- Plagiarism url
- Preservation url
- Apc url
- License
Plagiarism Policy
This journal follows a plagiarism policy. All submitted manuscripts are screened using reliable plagiarism detection software to ensure originality and academic integrity. Authors are responsible for proper citation and acknowledgment of all sources, and any form of plagiarism, including self-plagiarism, will not be tolerated.
For more details, please refer to our official: Plagiarism Policy.
APC Details
The journal’s Article Processing Charge (APC) policies support open access publishing in Arts and Humanities, ensuring accessibility and quality in research dissemination.
This journal does not charge a mandatory Article Processing Charge (APC). However, optional open access publication may incur fees based on the publisher’s policies.
Explore journals without APCs for alternative publishing options.
Most Cited Articles
The Most Cited Articles section features the journal's most impactful research, based on citation counts. These articles have been referenced frequently by other researchers, indicating their significant contribution to their respective fields.
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Weltliche Einflüsse in der Notre-Dame-Musik? Überlegungen zu einer Klausel im Codex F
Citation: 16
Authors: Fred
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Rastreando las huellas de la escucha performativa: la escritura como constelación archivÃstica
Citation: 11
Authors: Alejandro L.
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Salones, bailes y cafés: costumbres socio-musicales en el Madrid de la reina castiza (1833-1868)
Citation: 4
Authors: M.ª Aurelia
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¿Ars subtilior en Toledo? Un vestigio en el códice M1361 de la Biblioteca Nacional de España
Citation: 3
Authors: David
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LudomusicologÃa: normalizando el estudio de la música de los videojuegos
Citation: 3
Authors: Juan Pablo
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La contradanza en España en el siglo XVIII: Ferriol y Boxeraus, Minget e Yrol y los bailes públicos
Citation: 3
Authors: Clara